Retelling of The Little Match Girl for 2021.
The Open Arms is an online project by Sally O'Reilly: "The Open Arms unbolted its doors when all other pubs closed theirs. It is a focus for and record of locked-down conviviality. Dive in for a swift sharpener or settle down to a hearty session. Turn the music up or off, avoid anyone you don't like the look of. The place is yours. And better still - everything is on the house."

Essay on works in exhibition and their possible connections to stage magic. P.34-45 The Collector’s Room catalogue, JGM Gallery

Fiction imagining Harry Houdini's handcuffs as a sentient object. P.16-17 The Collector’s Room catalogue, JGM Gallery, 2020

Dark Skies: A text on Light Pollution / Katie Goodwin’s Lightness and Kaamos films shown at TAP Southend

Invited blogger for The Lightness project; a 2 part film project by artist Katie Goodwin

Catalogue text for The Feet of Those; exhibition by Alastair Gordon at The Nunnery

Catalogue text for Geometric Sequences; exhibition by Fiona Grady & Patrick Mifsud at Husk Gallery

Text to accompany solo show Santa Fe at ArtLacuna

Searching for the Viable Essence has been included (on p.25) in the International Journal of Conceptual Writing: Crux Desperationis 5

Exhibition essay for Type Face | James Petrucci | 2013

Narrative writing telling the story of a Painting that, through watching films, becomes medium aware

Self-published exhibition booklet including an essay by Mary Paterson to accompany solo show at Jacob's Island gallery 2011

Narrative writing telling the story of how Clement Greenberg inadvertently became the leader of the Cult of the Viable Essence